Weaving Books

Almost as long as there have been people, there have been stories to explain the world and entertain. In this issue of Easy Weaving with Little Looms, we’re translating some of our favorite folk and fairy tales from around the world into a language we all love: weaving!

Each of the 18 projects is a new weaving adventure designed around a beloved tale. Weave a set of suspenders inspired by Pinocchio on your inkle loom, or an embroidered pin-loom scarf fit for the snow queen herself. Celebrate the world-famous storyteller, Scheherazade, with the rigid-heddle woven Arabian Nights Placemats (no two are the same!). Weave up some cozy wool fabric before fulling it and turning it into a set of cozy mittens inspired by a Ukrainian folk tale.

In our feature articles, you’ll learn how to use 100% linen as a warp on your rigid-heddle loom without tears. As part of their new series, get the basics of tapestry weaving and what you need to get started from Claudia Chase and Elena Kawachi. In Do it by Hand, you’ll get step-by-step instructions for four different types of braids. Also, in this issue, Anita Osterhaug gives you the “full” story on fulling—the science behind it and tips on getting the best results for your project. These charming projects, enlightening tutorials, and more are in the Winter 2023 issue.

Is it better this way? Could take out “the what you need to get started” to get it even shorter.

--



Features:

Burn After Weaving: Creative Destruction in Fairy Tales by Amy Harris Aber
Hunt & Gather: Running with Pruners (book excerpt) by Janis Thompson
String Theory: “Full” Disclosure: Wet-Finishing Woolens by Anita Osterhaug
The Ins, Outs, and Unders of Tapestry Weaving by Claudio Chase and Elena Kawachi
Linen Without Tears by Christine Jablonski
Projects:

Bunyan Plaid Scarf by Yvonne Ellsworth (rigid heddle)
Snow Mittens by Brittany Wells (rigid heddle)
Gingerbread Dishcloths and Bin by Malynda Allen (rigid heddle and inkle)
Qiviut Cowl by Gabi van Tassell (pin loom)
Arachne Napkins by Elisabeth Hill (rigid heddle)
Red Riding Hood’s Bread Cloth by Tammy Bast (rigid heddle)
Bunny Buddies by Deborah Bagley (pin loom)
Magic Beans Mug Rugs by Jennifer E. Kwong (rigid heddle)
A Lovable Hot-Water Bottle by Jennifer Chapman (pin loom)
Jack’s Shoulder Bag by Robin Lynde (rigid heddle)
A Scarf for the Hatter by Kellie Frances Reid (rigid heddle)
Snow Queen Snood by Janna Ford (pin loom)
Arabian Nights Placemats by Christine Jablonski (rigid heddle)
Champa Bag Strap by Shilpa Nagarkar (inkle)
Pinocchio’s Suspenders by Joan Sheridan (inkle)
Star-Crossed Lovers Scarf by Sun Kim (rigid heddle)
Mermaid Bag by Margaret Stump (pin loom)
Cottage Wall Platter Hanger by Joan Sheridan (inkle)
Author/Designer: Handwoven Editors

Weaving is twice as nice when you learn how to combine colors, fibers, weave structures, and design techniques to create projects that go beyond the ordinary. In this Easy Weaving with Little Looms issue, we’re celebrating projects that combine the best of both worlds. Weave up a set of coordinating rigid-heddle towels and potholders and finish them with inkle-woven bands. Then mix and match pin-loom shapes to weave an out-of-this-world star shawl or a cozy lap blanket. Build the perfect pin cushion using an inkle band and two pin-loom woven squares, and then finish it with simple embroidery. Feel inspired? There’s so much more waiting within the pages of the Fall 2023 issue!

Explore the basics of ice dyeing with Rebecca Fox and then weave a set of ice-dyed scarves using two different techniques to create the pattern. Learn how to find hidden designs in tablet weaving from John Mullarkey—without rethreading. Rosalie Neilson gives a brief history of kumihimo and then teaches you how to make your own set of kongō gumi braids. Also, in this issue, you’ll find an exclusive excerpt of Emily Nicolaides’s book Amazing Circular Weaving including instructions for her Swirly Twirl Coasters.

--



Features:

String Theory: The New Ice Age of Color by Rebecca Fox
Book Excerpt: Swirly Twirl Coasters by Emily Nicolaides
Let’s Make Thick Yarn by Florencia Campos Correa
A Gathering of Threads by Rosalie Neilson
Tablet Weaving: Hidden Designs by John Mullarkey
Beyond Plain Weave by Hazel Spencer
Projects:

Houndstooth Fantasy Scarf by Tammy Bast (rigid heddle)
Plus and Pretty Towels by Tammy Bast (rigid heddle)
Essentials Only Makeup Bag by Deborah Bagley (pin loom)
Tissues to Go by Deborah Bagley (pin loom)
Mini-Ottoman Pincushion by Joan Sheridan (inkle and pin loom)
Autumn Sunset Poncho by Inci Koker (rigid heddle)
Royal Lupine Lap Blanket by Anthony Thompson (pin loom)
Thick and Thin Hand Towels by Christine Jablonski (rigid heddle)
Picture-Perfect Purse by Margaret Stump (pin loom)
Forest Toques by Gabi van Tassell (pin loom)
Falling Leaves Table Set by Brittany Wells (rigid heddle)
Inlay Whimsy Scarf by Michele Marshall (rigid heddle)
Frosty Ice-Dyed Scarves by Rebecca Fox (rigid heddle)
Phoenix Rising Shawl by Gabi van Tassell (pin loom)
Mix-and-Match Kitchen Set by Malynda Allen (rigid heddle)
Set of Setts Shawl by Christina Jablonski (rigid heddle)
Star Shawl by Greta Holmstrom (pin loom)
Autumn Leave Runner by Deborah Shelmadine (pin loom)
Author/Designer: Handwoven Editors

Readers rejoice! In this Winter 2022 issue of Easy Weaving with Little Looms you’ll find projects inspired by beloved books for young and old alike as well as projects designed with reading in mind. Learn two methods for weaving words on your inkle loom, create a pin-loom-woven tote bag with a book motif perfect for trips to the library, and make a soft and snuggly blanket—with a 12”-wide rigid-heddle loom.

Also in this issue:

Want more from your pin-loom? Learn how to use continuous-strand weaving to make different shapes on a single pin loom.

Pick-up sticks can open a new world of design on the rigid-heddle loom, but if you’ve never tried them before they can be intimidating. Get the basics down and banish your fear with our feature on the power of pick-up sticks.

Features:

• Weaving With: Array—A Very Special Tapestry Yarn, by Kennita Tully
  
• Tapestry Talk: Hatching, by Tommye McClure Scanlin
  
• String Theory: The Science of Warmth, by K. Rose James
  
• The Power of Pick-Up Sticks, by Sienna Bosch
  
• Continuous-Strand Weaving, by Jennifer Chapman
  
• Behind the Design: Elven Cloak, by Tammy Bast
  
• Dyslexia and a Divergent Scarf, by Carly Jayne
  

Projects:

• Little Prince Scarf, by Angela Tong (rigid heddle)
• Cuppa Tea Cozy, by Margaret Stump (pin loom)
• Meghalaya Scarf, by Shilpa Nagarkar (rigid heddle)
  
• Namesake Runner, by Christine Jablonski (rigid heddle)
  
• Incense and Sensibility Cowl, by Sara Goldenberg (rigid heddle)
  
• Colorful Fish Pillow, by Gabi van Tassell (pin loom)
  
• Kai’s Scarf, by Gabi van Tassell (pin loom)
  
• A Faun’s Scarf, by Yvonne Ellsworth (rigid heddle)
  
• Ma’s Towels, by Malynda Allen (rigid heddle)
  
• Spiderweb Scarf, by Nancy Peck (rigid heddle)
  
• Follow Your Star Bookmarks, by Alison Irwin (inkle)
  
• Charlotte’s Bands, by Sara C. Bixler (inkle)
  
• Soft and Snuggly Blanket, by Deborah Jarchow (rigid heddle)
  
• Wire and Ribbon Bookmarks, by Greta Holmstrom (rigid heddle)
  
• Reader’s Friend Mug Rugs, by Christine Jablonski (rigid heddle)
  
• Giraffe Body Pillow, by Deborah Bagley (pin loom)
  
• Library Book Bag, by Margaret Stump (pin loom)
  
• Cozy Book Pillow, by Hazel Spencer (pin loom)
  
• Spectacular Spectacle Pouch, by Marieke Kranenburg (tablet weaving)
  
• Couch Caddies, by Robin Lynde and Lisa Waterman (pin loom and rigid heddle)
  

Soft cover, 96 pages. 

Author/Designer: Handwoven Editors

Take a step (or a leap, as the case may be) out of the box with this issue of Handwoven celebrating weaving that deflects out of the woven grid. Whether it’s a function of weave structure or yarn composition, the threads in all 12 projects curve and twist during wet-finishing, whether it’s a lot or a little, and many of the projects differ from one side to the other. Two technique articles expand on the deflection theme, one by Yvonne Ellsworth about dyeing a warp and weaving a scarf to mimic a doubleknit piece, and a Traditions article by Phyllis Miller on weaving sashiko-style patterns to pair with a treasured piece of kimono silk. Our new article series, Best Practices, by Susan Bateman and Melissa Parsons gives tips for better warping, and Tom Knisely in Notes from the Fell looks at different ways of keeping weaving records—some of which may surprise you. The Spotlight is on a young man, Nevan Carling, intent on studying and restoring antique looms, and for the Yarn Lab Elisabeth Hill puts three fine yarns into deflecting structures with great results. The issue wraps up with an essay by Janney Simpson about her own winding path to using deflection in her beautiful scarves and shawls.

Projects:

• Sawtooth Stripe Pillows by Angela K. Schneider (4-shaft)
• Shadow Play Kitchen Towels by Barbara Goudsmit (4-shaft)
• Take Your Turn by Liz Moncrief (4-shaft)
• Reflecting Pool Bed Runner by Christine Jablonski (4-shaft)
• Honeycomb Throw by Marcia Kooistra (8-shaft)
• Blue Circling Embers by Annette Swan Schipf (8-shaft)
• Bumple Scarf by Nancy Peck (rigid heddle, 2- and 4-shaft)
• Clouds of Alpaca Scarf by Susannah Day (4-shaft)
• Hashtag Deflected Doubleweave by Jill Staubitz (8-shaft)
• O’ So Beautiful Scarf by Merriel Miller (8-shaft)
• Cool Breeze by Natalie Drummond (8-shaft)
• Sashiko-Style Flower Scarf by Phyllis Miller (8-shaft)

Articles:

• Spotlight: Nevan Carling: A Champion for Old Looms by Karen Donde 
• Notes from the Fell: Keeping Records by Tom Knisely
• Stepping Up: The Adopt-A-Native-Elder Navajo Rug Show & Sale by C. J. Robb
• Best Practices: Winding a Warp by Susan Bateman and Melissa Parsons
• Idea Gallery: Translating Doubleknitting to Doubleweave by Yvonne Ellsworth
• Traditions: Inspired by Sashiko by Phyllis Miller
• Yarn Lab: A Fine Line: Silk City Fibers by Elisabeth Hill
• Endnotes: Reflections on Deflection by Janney Simpson

Softcover
80 Pages
Published by Long Thread Media

by Margaret Stump

Margaret Stump, author of the original Pin Loom Weaving, has outdone herself with the 25 designs in this new book. There are elegant wraps, a fun fox bag, an American flag blanket, pillows, pins, stylish scarves, and more--all in a modern style that says "hand crafted with pride."

With beginning weavers in mind, Margaret first walks you through how to weave on a 2" and 4" loom. Once you know how to make a basic square and connect your pieces, you are well on your way to making any of the projects in this book. The book divides projects into those that use a 2", 4", adjustable fine-gauge, and even a pot holder loom, and those that combine pieces from different looms, so it is easy to find a project and get started.

• All the basics of pin loom weaving and more than 30 beginning and medium level projects you can make on the go
• Simple weaving techniques for portable looms
• Instructions for making your own simple 2" loom
• Projects for standard 2" and 4" looms, as well as weaving on potholder looms and knitting looms

Size: 11" x 8.5"                                                                                                             Pages: 114                                                                                                                 Format: Softcover                                                                                                          ISBN: 9780811765404

Tiny palm-sized pin looms are making a comeback. Here is a great book to get started with this intriguing continous strand weaving technique. This book contains forty appealing projects, tips and techniques for blankets, bags and 3D creations. Includes directions on how to build your own pin loom.

Author:  Margaret Stump.
Softcover; 80 pages.
Published year: 2014.
ISBN 978-0-8117-1248-4.
Made in USA.

We invite you to welcome springtime along with Handwoven. From airy scarves to lacy table linens, and a painterly wall-hanging to a light jacket for breezy days—the ten enticing projects in this issue will help lighten up your weaving as the days lengthen.

Are you intrigued by lace, drawn to doubleweave, or curious about sashiko? In the mood for inlay, or obsessed with stripes? Whatever your preference, there’s a project here to spark your creative spirit. And in keeping with the season’s gentler weather, you’ll find scarves and towels using silk, mohair, or linen, as well as cotton and Tencel.

Then, expand your weaving skills and understanding with the articles and features in this issue.

• Tom Knisely writes about the value of textiles, from how to set a price for your weaving to how much you’ll pay for the work of others—and the surprising reasons those prices can vary widely. 
• Karen Donde reviews a comprehensive and important new book about how to weave optical illusions.
• Feeling confused about color? Tien Chiu explains how and why you can weave dramatically different pieces on the same warp—simply by changing your tie-up.
• Learn to use a handful of beads (or short pieces of drinking straws!) to create leno lace without doups or pick-up sticks.
• Meet a web tool meant for embroidery patterns, and learn about using it to easily create your own sashiko weaving drafts.

Moving around the world, Karen Brock gives us a glimpse of a remote Nepalese village where weavers are hanging on to their traditions in the wake of the pandemic. And you’ll learn about eri and how it is produced in a brief excerpt from Karen Selk’s recent book about wild silk.   

Embrace the season with the easy breezy, light and lacy ideas you’ll find in Handwoven Spring 2025.

 

Articles:

• Notes from the Fell—Thoughts About the Nature of Value, by Tom Knisely
• Knotted-Pile Weaving Tradition Endures, for Now, by Karen Elting Brock
• Color Lab—Magic in the Tie-Up, by Tien Chiu
• Create Sashiko Weaving Drafts with Ease, by Mary McConnell
• Eri Silk Runs Deep in Assam, by Karen Selk
• Weaving Leno? Let Beads Do the Work! by Annette Swan Schipf
• Endnotes—A Gift of Yarn, by Eloise DeHaan

 

Projects:

• Sweet Linen and Lace Towels by Malynda Allen (4-shaft)
• Lighter than Air Shawl by Véronique Perrot (2- or 4-shaft)
• Sunset Reflections wall hanging by Rebecca Smith (2- or 4-shaft)
• Cherry Blossom Scarf by Yvonne Ellsworth (4-shaft)
• Sashiko Trails Table Linens by Mary McConnell (8-shaft)
• Sugar Plum Lace Scarf by Susan Du Bois and Robin Wilton (4-shaft)
• Shades of Flax Towels by Dana Lutz (4-shaft)
• Mosaic Tiles Scarf by Eileen Lee (8-shaft)
• Spring Breeze Jacket by Annette Swan Schipf (4-shaft)
• City Circuits Scarf by Kate Lange McKibben (8-shaft)

Narrow bands woven in colorful patterns are a centuries-old part of Baltic craft tradition. The double slotted heddle makes patterned band weaving quicker to learn and easier to do, and this is the first book that offers beginners instructions for using it. The craft doesn't involve bulky equipment—all you need can be stored in a shoe box! Learn how to weave these beautiful bands step by step, from the simple 5 pattern threads to the more complex 7 and 9 patterns. Color photographs illustrate the instructions for learning to weave. More than 140 patterns are included, along with principles for planning your own unique designs for contemporary uses such as straps, belts, bracelets, and even handfasting bands. The breathtaking range of colorful bands woven in Sweden, Finland, Russia, Estonia, Latvia, Lithuania, and Norway are explored and offer additional inspiration.

More than 100 patterns for your potholder looms in plain weave, shadow weave, and twill. The majority of these are new, never charted for the small loom before, and the rest are strong classic patterns. Learn to convert floor loom drafts for the potholder loom, reverse engineer any potholder, and chart your own design.

Publisher: Stackpole Books
ISBN13: 9780811772747
Binding: Paperback / softback
Page Count: 240 Pages
Pub Date: Jul 15, 2024

Zero waste is key to Maria Sigma's renowned weaving designs, and here she shows beginners—and more-accomplished weavers too—how that philosophy can transform what you weave. Enjoy learning the basics of both heddle loom and frame loom weaving and succeed at six guided projects you'll enjoy adding to your home and wardrobe, while also learning how Sigma has built her practice on sustainability. "Without our attention on the materials and process and how they relate to the world, no design is at its best." She  shows how to consider the environmental impact at every stage of the design and making process, as well as within your daily work environment and studio space. Learn ways to decrease yarn waste and avoid unnecessary cuts, as well as how to consider carbon footprints in terms of your use of machines, water, and petroleum-sourced energy. With this guide, you can make handweaving an even more sustainable craft.

Size: 9.0in x 9.0in  |  Pages: 176  |  200 color photos

Master weaving on the little loom with creative new patterns and projects that combine classic techniques and 150 step-by-step photos for a trendy take on hand-woven clothing and crafts

Whether you’ve been weaving for years or just starting out, Little Loom Weaving has everything you need to create trendy and timeless woven pieces on a small, portable loom.

This helpful guide, packed with step-by-step instructions and stunning color photos, is full of inspiring and fun projects—some easy and fast enough to finish in a few hours!

Learn New Techniques
• Tabby Weave
• Looping
• Hemstitch
• Open Slit
• Rya Knot
• Soumak

Discover Exciting Projects
• Wall Hangings
• Bracelets
• Pillows
• Keychains
• Recycled Materials
• Planters

• Publisher: Ulysses Press (May 9, 2017)
• Length: 128 pages
• ISBN13: 9781612436630

Susan Kesler-Simpson, author of the popular Overshot Simply and Shadow Weave Simply, now explains Crackle Weave "simply." The areas of separating threads give Crackle Weave its appearance of cracking pottery, and once you see how the structure works, there is so much you can do with it!Learning is not complete without practice, so there are 25 patterns to try for a variety of pieces and both modern and traditional effects.


Publisher: Stackpole Books
ISBN13: 9780811769983
Binding: Paperback / softback
Pub Date: Jul 14, 2022

Imagine being able to weave overshot along the length of your cloth with just one shuttle or being able to weave terry cloth towels for your bath. All this and more is possible on just four shafts by using a supplementary warp. Back by popular demand, this sought-after book hasn't been available for a long time. The revised and expanded edition features nearly twice as many projects as the original book, with five all-new projects and a new weaving structure. Handweavers will learn weaving expert Deb Essen's easy warping method, how to turn drafts for one-shuttle weaving, and Deb's tips and techniques for warping a supplementary draft successfully. Once you have the warping down, weave any of the projects using the weave structures Deb teaches you. Each project explores a different supplemental warp structure, from turned overshot and monk's belt to Bedford cord and even velvet. And no second back beam is required for your loom!

Publisher ‏ : ‎ Schiffer Craft (November 29, 2022)
Language ‏ : ‎ English
Hardcover ‏ : ‎ 144 pages
ISBN-10 ‏ : ‎ 0764364707
ISBN-13 ‏ : ‎ 978-0764364709
Item Weight ‏ : ‎ 2.42 pounds
Dimensions ‏ : ‎ 8.58 x 0.79 x 11.1 inches

Step out of the weaving comfort zone and experiment with something new!

Weave structures often have specific threading and treadling patterns that are unique to that particular weave structure and not shared with others. This book takes you out of the traditional method of weaving overshot patterns by using different treadling techniques. This will include weaving overshot patterns as Summer/Winter, Italian manner, starburst, crackle, and petit point just to name a few. The basic image is maintained in each example but the design takes on a whole new look!

Each chapter walks you through the setup for each method and includes projects with complete drafts and instructions so it’s easy to start weaving and watch the magic happen! Try the patterns for scarves, table runners, shawls, pillows and even some upholstered pieces. Once you've tried a few projects, you'll be able to apply what you've learned to any piece you desire!

Format: Softcover
Size: 8.5" x 11"
Pages: 164
ISBN: 9780811739160

Iridescent fabric shimmers and glows, changing colors depending on how the light hits it. Different colors appear in the folds and pleats, adding surprising layers of color to fabric. To the uninformed it appears magical and difficult, but the truth is that weaving iridescent fabric is accessible to any handweaver who knows the tricks.

Bobbie Irwin has been teaching the techniques for weaving iridescence in person and through articles for more than ten years. In this book, she delivers her most comprehensive course yet, covering the details from how to evaluate and choose yarn to achieve your desired effect to the ways weave structure affects iridescence to the best uses for your iridescent fabric. Hands-on project instructions will have you exploring what you've learned right away.

If you have been looking to add some shimmer to your weaving, this is the only book you will ever need!

Size: 11.11" x 8.41"
Pages: 132
Format: Softcover
ISBN: 9780811716284

27 Fabulous Projects From a Master Weaver                                     

by Tom Knisely

 Tom Knisely, author of bestseller Rag Rug Weaving and Handwoven Baby Blankets, has now turned his attention to one of the most popular categories of weaving: table linens. Placemats, runners, tablecloths, and napkins play a central role in creating the look of a dining room or kitchen table, and this book gives you the tools needed to realize your vision for these special items.
Tom has found inspiration from things as varied as china patterns, a classic Spode Christmas tree, and traditional weaving patterns such as Shadow Weave, Wheel of Fortune, and Star of Bethlehem. For each pattern, he outlines the materials you need, how to set up your loom, and the pattern to weave. Add your own dash of inspiration if you choose different colors, and make each piece your own.
The 27 patterns include simple weaves worked on 2- and 4-harness looms, as well as more complex weaves requiring more harnesses. Because Tom is at heart a teacher, he also chose each project with the thought that it should add to your weaving repertoire in some way. The techniques you learn as you work on the projects in this book are things that you can adapt and use down the road in future weaving.

Size: 11" x 8.5"                                                                                                             Pages: 88                                                                                                                  Format: Softcover                                                                                                          ISBN: 9780811765428

With Color and Weaving Effects: 576 Drafts and Samples plus 5 Practice Projects    by Tom Knisely

Join expert weaver and teacher Tom Knisely in his exploration of Huck Lace!
"Lace Weaves" are best described as loom controlled warp and weft floats on a Plain Weave ground fabric. The term "Color and Weave Effects" refers to a careful arrangement of light and dark colored threads in the warp and weft that weave into beautiful patterns. Log Cabin is probably the best known color and weave pattern. Combining Huck with Color and Weave orders opened the door to astonishing pattern possibilities. He then came up with four color arrangements: Light and Dark, Complimentary Colors, Monochromatic, and Triadic colors. With 144 patterns and four color themes for each pattern, that's 576 patterns. Each pattern includes the full draft and a woven sample for reference.

Tom also includes full details for five projects that are perfect for weaving Huck: dish towels, mug rugs, baby blanket, and two scarves.

Huck Lace Weaving Patterns with Color and Weave Effects is an essential resource that you will turn to for inspiration and guidance again and again.

Size: 10" x 7.87"
Pages: 220
Format: Hardback
ISBN: 9780811766876

Norma Smayda, Gretchen White, Jody Brown, & Katharine Schelleng

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

Size: 11" x 8 1/2"
127 color & 72 B&W
208 pp
ISBN13: 9780764332463

Connect with the handweaving world through Handwoven. Every issue is packed with projects, instruction, and inspiration to help you build technical skills and design confidence.

In this issue are 11 Projects That Look Great & Do Good, Use cartoons to weave pictures p. 22, Weave A Better World With Inspirational Yarns, Hemp Bag Bliss, and so much more! Pick up your copy in store or have us ship it to you. Check out our current inventory of back issues as well. 

Features: 

• Notes from the Fell: Breed-Specific Yarns by Tom Knisely
• Idea Gallery: Make a Cartoon and Use It for Tapestry: by Tommye McClure Scanlin
  
• Traditions: Understanding Cashmere by Amy P. Swanson
• Yarn Lab: The Singles Scene by Elisabeth Hill

Projects: 

• Color-and-Weave Tintes Naturales Towels
• Circle of Life Table Runner
• Patchwork Baby Blanket
• Among the Stars Pillows
• Audrey Stole
• Log Cabin at Sunset
• Hemp Bag Bliss
• Trinity Shawl
• Bags on a Budget
• Comfort in Solitude
• Floral for All Wrap

Softcover 

80 Pages
Published by Long Thread Media

45 fabulous design ideas from 20 top weavers, bringing new life to discarded materials.

Creating rag rugs has enthralled weavers for over a century. Now you, too, can recycle your favorite fabrics and transform them into unique rugs that will bring a striking personal touch to every room in your home. From stripes, checks, and rosettes to mosaic, twists, and diamond twill; from soft to sturdy, and subtle to statement-making, Tina Ignell's superb selection of rag rugs provides you a wealth of inspiration, conveniently paired with practical instruction. Inside, find:

• Six technique-based sections with 45 designs by 20 professional weavers
• Charts, illustrations, and color photos of finished projects
• Creative use of unusual materials, like lambskin, straw, and leather
• Specialty patterns, such as a round rug and a runner for a spiral staircase
• Instructions for finishing, including fringed and woven edges
• A bonus section of five different rugs woven on the same warp
• Resources and supplier contact information

Author: Tina Ignell
Format: NEW in paperback
Total Page Count: 128
Illustrations: 82 color photos, 10 b&w photos, 67 charts
ISBN: 978-1-64601-036-3

Sakiori is an approach to rag weaving used by Japanese peasants to cope with the scarcity of new cloth for clothing and household textiles. In modern times, there is instead an overabundance of cloth filling up thrift stores and being discarded. Weavers can use this source of “rags” to make useful and surprising new cloth. Depending on the fabric used, results can be rugged and utilitarian (like cotton rugs) or fashionable and delicate (like silk scarves).
The book begins with an overview of the history and context of sakiori in Japan, followed by methods and tips for successful rag weaving with a variety of materials and looms, including rigid heddle looms as well as floor looms. Charts and worksheets make it easy to find the information weavers need to get started, and 21 projects with instructions and drafts provide inspiration and ideas.

Add Shadow Weave to your repertoire with Susan Kesler-Simpson's easy-to-follow instructions.

Susan's approach is to first break down the structure of Shadow Weave so that any level weaver can understand how alternating light and dark threads in both warp and weft can present a dominant motif outlined with an identical shadow. She walks you through how the structure builds and weaves, and once you comprehend how the weave structure works, you will be able to weave any of the 25 project patterns in the book. You will also have the knowledge to transform other drafts to Shadow Weave, or to design your own Shadow Weave pattern.

Woven Optical Illusions explores a variety of optical effects through the medium of weaving. Suitable for weavers of all experience levels, it explains the basic principles behind the illusions and shows how to create the effects in selected weave structures to give a wide range of examples and possibilities. Projects are taken from concept through weave design and development to a woven result. With over 500 illustrations, including detailed drafts and images, this fascinating book is designed to whet the appetite of anyone who is interested in optical play. Includes Clear step-by-step explanations of the complete design process and describes the science behind the optical effects and some of the history of their discoveries. It also incorporates inspirational images from other weavers working in optical effects and projects range from plain weave through to advancing twills, featuring tied weaves such as summer and winter, taqueté and beiderwand, double cloth, colour-and-weave, shadow weave, and deflected double weave.

Upcycle newspapers, advertising flyers, brochures, and other waste paper into decorative and functional baskets, cushions, organizers, and more.

Find the creative potential in every pile of old newspaper. Dorothea Schmidt teaches you the techniques for recycling and upcycling waste paper into household items that are not only practical and sustainable, but beautiful as well. Learn to use various sizes and lengths of rolls of newspaper, advertising flyers, brochures, and junk mail to create

• large and small baskets
• desk organizers
• trays and bowls
• seat cushions
• napkin holders
• hanging candleholders
• tote bags
• and more!

Whether you've ever woven a basket before or not, the easy-to-follow step-by-step instructions and clear photos for each project will guide your through this fun—and addictive—paper craft. Using only rolled scrap paper and minimal additional materials and tools, you can make all of the 13 stylish and refined projects in this book. You'll also explore various finishing techniques, including varnishing, dyeing, stenciling, and applying buttons and other decorations. Then use the techniques to make your own unique woven creations with whatever scrap paper you have piled up in your home—or any paper that is delivered to your doorstep or appears in your mailbox.

Put your junk mail and other paper waste to good use. Decorate your home and enhance your life with woven paper—don't throw it away!

The unusual structure of shadow weave creates works that shimmer and glow with multifaceted dark-and-light color. How and why did the legendary weavers Mary Meigs Atwater and Marian Powell develop it? And how, exactly, does it work? Even better, how do you write shadow weave drafts of your own design? This guide provides the answers, with a focus on Marian Powell's method of weave drafting. With master weaver Rebecca Winter, learn the history of the intricacies of shadow weave and understand the weave structure and how it functions as a color-and-weave effect. The book takes up where the much-respected (and hard to find) 1976 classic by Marian Powell, 1000 (+) Patterns in 4, 6, and 8 Harness Shadow Weaves, leaves off, offering the translation and explanation that today's handweavers have been waiting for. It includes valuable resources that bring history and today's weavers together: the drafting system developed by Mary Meigs Atwater, the drafting system developed by Marian Powell, and how the the Powell method functions within block theory. Expand your weaving with included drafts--the five original drafts developed in 1942 by Mary Meigs Atwater, as well as 10 original drafts developed by the author. Handweavers of all levels, on eight or fewer shafts, can be confident this book will provide everything they need to know to advance their skills toward a clear understanding of shadow weave. Get ready to create your shadow weave gems.

The history, legacy, and boundless creativity of weavers over the centuries is the base in this helpful guide for both new weavers,seasoned tapestry artists and enthusiasts. Tapestry weaving is an art form that has been around antiquity and these insights from renowned artist Jean Pierre Larochette offer 30 traditional techniques built upon weavers’ centuries of work. A fourth-generation French Aubusson tapestry weaver, he gives us a glimpse into the multiple combinations, variations, and applications of techniques that form the art of the weaver. Each technique is exemplified by diagrams, woven models, and examples of possible ways of applying it. Expert Yadin Larochette shares theories and approaches to conservation, including new scientific research to help in the much-needed task of preserving these treasures of human creativity for centuries to come. Along with distilling traditional information on the art, this book’s precise written instructions and clear visuals--together with its handy lay-flat binding--assist you in both creating and preserving your tapestries.